Lordy, what an oddly compelling duke’s mixture of characters Hugh Sheehy has given us to root for: the deracinated, the woebegone, the goofy-minded, the flummoxed, and the distracted. Invisibles, indeed. These are the folks who’ve left a moment too late, or arrived an instant too early. These are the neighbors who never blow up until they do. These are the ones with wonts and wants. With bones that won’t last. With dreams that bleed away in the light. Mr. Sheehy has given each the dignity of story. It is the felicity of these smartly crafted narratives that will save them and us both.

—Lee K. Abbott, author of All Things, All at Once: New and Selected Stories

There’s more life—grief, heartbreak, comedy—in a Hugh Sheehy story than in many, many novels. Greet the real thing, a true storyteller, fully formed. That these stories are beautifully crafted (and they are beautifully crafted) is almost beside the point. Each one of the stories in The Invisibles is gripping. You don’t want to stop reading, period.

—Peter Orner, author of Love and Shame and Love

What I loved about Hugh Sheehy's The Invisibles is the way he marries literary writing and characterization with suspenseful storytelling. The stakes of his stories are unrelentingly high, and reading them together amplifies the dark urgency of even the quieter domestic tales.

—Holly Goddard Jones, author of Girl Trouble

In The Invisibles, Hugh Sheehy shines the bright light of his fiction on characters most of us refuse to see: the misfits and strangers, the lost and abandoned. Ralph Ellison blamed invisibility on 'a peculiar disposition of the eyes.' In these eleven moving stories, Sheehy opens our eyes and asks us to see.

—Ed Falco, author of Sabbath Night in the Church of the Piranha: New and Selected Stories

Left behind, the characters in The Invisibles try to make sense of what remains. . . . You'll remember them all—Sheehy's finely crafted genre-bending mash-up of thrillers, fairy tales, realism and children's stories makes sure of it. . . . Fairytale and folkloric elements create a timeless, mythical atmosphere more Grimm than grits, a place where even the most contemporary characters, teens desperate to stand out from the crowd, come across like a gothy Hansel and Gretel.

—Gina Webb, Atlanta Journal-Constitution

Fresh yet deeply knowing . . . In his flawless, fluid, droll, and suspenseful tales of deceptively routine lives, Sheehy dramatizes loneliness, terror, and loss with arresting restraint, focusing on the percussive aftermath of violence. A writer of evocative subtlety and uncanny power . . . Sheehy reveals what's hidden in plain sight to clarion effect.

—Booklist (starred review)

A little violence goes a long way and the lurking fear at the heart of these stories elevates them beyond the merely promising to reveal a wicked new talent.

—Publishers Weekly (starred review)

Sheehy’s stories seem to glow in the dark, and reading them feels a little like watching fireflies light up at night. . . . Besides being engaging, Sheehy’s thrillers are original, warped additions to what can sometimes feel like an all-too-familiar and predictable genre. . . . Reading these stories feels almost like intruding—like finding oneself in the wrong place at the wrong time, or like opening a door that was supposed to stay closed. The feeling of having trespassed is worth it, though, for the reader intrudes just as Sheehy’s characters call out to be seen, and in those moments moment, they appear, as if out of the darkness, on dazzling display.

—Rachel Levy, The Rumpus