Civil War Time

Temporality and Identity in America, 1861-1865

Title Details

Pages: 208

Trim size: 6.000in x 9.000in



Pub Date: 06/01/2012

ISBN: 9-780-8203-4342-6

List Price: $24.95

Civil War Time

Temporality and Identity in America, 1861-1865

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  • Description
  • Reviews

In antebellum America, both North and South emerged as modernizing, capitalist societies. Work bells, clock towers, and personal timepieces increasingly instilled discipline on one's day, which already was ordered by religious custom and nature's rhythms. The Civil War changed that, argues Cheryl A. Wells. Overriding antebellum schedules, war played havoc with people's perception and use of time. For those closest to the fighting, the war's effect on time included disrupted patterns of sleep, extended hours of work, conflated hours of leisure, indefinite prison sentences, challenges to the gender order, and desecration of the Sabbath.

Wells calls this phenomenon "battle time." To create a modern war machine military officers tried to graft the antebellum authority of the clock onto the actual and mental terrain of the Civil War. However, as Wells's coverage of the Manassas and Gettysburg battles shows, military engagements followed their own logic, often without regard for the discipline imposed by clocks. Wells also looks at how battle time's effects spilled over into periods of inaction, and she covers not only the experiences of soldiers but also those of nurses, prisoners of war, slaves, and civilians.

After the war, women returned, essentially, to an antebellum temporal world, says Wells. Elsewhere, however, postwar temporalities were complicated as freedmen and planters, and workers and industrialists renegotiated terms of labor within parameters set by the clock and nature. A crucial juncture on America's path to an ordered relationship to time, the Civil War had an acute effect on the nation's progress toward a modernity marked by multiple, interpenetrating times largely based on the clock.

Contributes to long-standing historiographical debates. Wells displays a keen mastery of the disparate secondary literature and of the primary source material that serves as the core of this study. This book should appeal to scholars in a number of specialties, including social and military history of the Civil War, and cultural history of nineteenth-century America.

—Sarah Gardner, Mercer University

By defining battle time as a temporality that eroded the authority of God, nature, and the clock itself, Wells has written a book about the Civil War in which multiple and conflicting American timekeeping practices played crucial roles on and off the battlefield. By looking at various spaces-encampments, hospitals, homes, prisons, and battlefields-Wells depicts a war that in its battle-induced chaos put modernity on notice. While battle time ultimately only interrupted, rather than disrupted, the modernizing process initiated during the antebellum period, the interlude is worthy of the painstaking attention. Indeed, Wells's outstanding archival research into an until now neglected topic-timekeeping during the Civil War-distinguishes Civil War Time.

—Alexis McCrossen, author of Holy Day, Holiday: The American Sunday

A fascinating study brings to light much about American history, society, and culture since the Civil War.

Midwest Book Review

This richly researched and well-written study adds to the historiography of 'time scholars' and further develops arguments by previous historians dedicated to symbols of modern societies. . . . Wells has put together an important work that investigates battle time and its subsequent aftermath.

Civil War History

Wells has written a commendably short book-sweeping yet succinct, conceptual yet empirical, dense yet readable-on the unexpected but intriguing subject of time consciousness during the Civil War. . . . Civil War Time is a fine addition to the archival study of sensory experience.

Journal of Southern History

[Civil War Time] turns up a lot of fascinating facts . . . the details are absorbing

Studies in American Culture

About the Author/Editor

CHERYL A. WELLS is an assistant professor of history at the University of Wyoming.