An Artist in the Rigging
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An Artist in the Rigging

The Early Work of Herman Melville

Title Details

Pages: 172

Trim size: 5.500in x 8.500in



Pub Date: 08/01/2008

ISBN: 9-780-8203-3260-4

List Price: $24.95

An Artist in the Rigging

The Early Work of Herman Melville

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  • Description

An Artist in the Rigging is a study of Herman Melville's early novels--Typee, Omoo, Mardi, Redburn, and White-Jacket. The author considers these fictions from the standpoint of thematic relationship rather than of chronological development. He shows that while the five hero-narrators are separate and distinct entities, they have much in common and can be seen as representing different facets of an emergent composite hero-from the sensitive and restless young man who leaves home to search hungrily for experience, to the wanderer immersed in a deep probing of himself and his world. The hero's thirst for psychological independence--what comes to be his overriding ambition--is never satisfied, and destruction becomes inevitable, culminating in a paradoxical "apotheosis" in which the narrator-hero achieves this independence, but only at the expense of his humanity.

Dillingham persuasively demonstrates the interrelated qualities of these five novels, and in so doing he shows that the young Melville was a far greater literary artist than he gave himself credit for being. This fiction constitutes a powerful achievement in richness of texture, range of effect, and depth of characterization, as An Artist in the Rigging makes clear.

About the Author/Editor

WILLIAM B. DILLINGHAM is Charles Howard Candler Professor of American Literature at Emory University. His books include An Artist in the Rigging: The Early Work of Herman Melville and Melville's Short Fiction, 1853–1856 (both Georgia).