Faulkner and Southern Womanhood

Title Details

Pages: 264

Trim size: 6.000in x 9.000in



Pub Date: 08/01/1995

ISBN: 9-780-8203-1741-0

List Price: $34.95

Faulkner and Southern Womanhood

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  • Description
  • Reviews

This study examines the vexed and contradictory responses of the South's most celebrated novelist to the traditional representations of women that were bequeathed to him by his culture.

Tracing the ways in which William Faulkner characterized women in his fiction, Diane Roberts posits six familiar representations—the Confederate woman, the mammy, the tragic mulatta, the new belle, the spinster, and the mother—and through close feminist readings shows how the writer reactivated and reimagined them. "As a southerner," Roberts writes, "Faulkner inherited the images, icons, and demons of his culture. They are part of the matter of the region with which he engages, sometimes accepting, sometimes rejecting."

Drawing on extensive research into southern popular culture and the findings and interpretations of historians, Roberts demonstrates how Faulkner's greatest fiction, published during the 1920s and 1930s, grew out of his reactions to the South's extreme and sometimes violent attempts to redefine and solidify its hierarchical conceptions of race, gender, and class. Struggling to understand his region, Roberts says, Faulkner exposed the South's self-conceptions as quite precarious, with women slipping toward masculinity, men slipping toward femininity, and white identity slipping toward black. At their best, according to Roberts, Faulkner's novels reveal the South's failure to reassert the boundaries of race, gender, and class by which it has traditionally sustained itself.

Roberts's readings are everywhere interesting, and frequently new. Virtually every page offers, for me at least, a provocative interpretation of even the tiniest detail. Her literary scholarship, too, is exemplary. Clearly she has read the Faulkner criticism as carefully and as widely as she has the numerous texts of southern culture within whose context she carries out her own analyses of Faulkner's work.

—Anne Goodwyn Jones, Mississippi Quarterly

About the Author/Editor

DIANE ROBERTS is an associate professor of English at the University of Alabama. She is the author of Aunt Jemima: Representations of Race and Region.